Category Archives: Modern Times

Hi, folks!

I don’t have an article for you this week, but, rather than leave you hanging with nothing whatsoever to read, I thought I would post a little preview of what’s coming over the next year or so. Note that this “year” of mine applies to both real time and to the historical timeline, which have become largely one and the same these days. I do still have one 1997 article in the pipeline, on Activision’s last two graphical Zork games. I’ve also pushed a couple of topics that were originally earmarked for 1997 into 1998.

So, here’s what’s coming, with some further clarifications wherever it feels appropriate. If you like to be totally surprised by each new article, now is the time to stop reading. If, on the other hand, you played a role in any of the following, or know someone who did, or have any other kind of research tips or inside information to share, by all means get in touch via email, Mastodon, or just in the comments below.

• The Journeyman Project trilogy. I nearly passed these over, but on a whim I decided to try the 1997 remake of the first game, and was surprised how much I enjoyed it. This prompted me to play Buried in Time and Legacy of Time as well. To whatever extent these can be considered Myst clones, they stand now as my favorites in the sub-genre.
• Starcraft.
• Douglas Adams in the 1990s and beyond, including Starship Titanic. He filled quite a lot in the early years of this blog, and, although he wasn’t such a high-profile presence in games and computing after the 1980s, he deserves to have his story finished.
• Tex Murphy: Overseer.
• Might and Magic VI.
• Sanitarium and Nightlong: Union City Conspiracy. Yes, this is an odd couple. These two games are linked only in being early harbingers of where adventure games would go as their AAA commercial heyday faded into the past. The budgets would get smaller, the list prices would decrease, and most of the studios still making them would be located in Europe rather than North America (although this last is only true of one of this particular pair). None of these changes strikes me as necessarily a bad thing. On the contrary, they often gave space for design to come to the fore again.
• The X-Files. As I promised a reader recently in the comments section, this is also a good chance to talk about the television show, one of the most indelibly 1990s of all media creations. (Wasn’t it nice when our most prominent conspiracy theories revolved around aliens from outer space?)
• The Windows 98 launch.
• Grim Fandango.
• The casual-sports-game phenomenon. Did you know that schlocky little Deer Hunter made way, way more money for its creator than Starcraft or Half-Life or any other iconic late-1990s mega-hit you care to name? I’ve always found these incongruities between gaming history as it’s remembered by the hardcore crowd and the reality on the ground at the time to be fascinating.
• Game shows. Most years, I allow myself one significant departure from the game-by-game brief, and I think this will be this year’s. It’s a topic I’ve been mulling over for a long time now, given that television game shows were the first “video” games of all in a sense. There’s probably two or three articles here, tying in the end back into 1990s CD-ROMs like Jeopardy! and the You Don’t Know Jack series — the latter of which is another of those hidden moneyspinners of the era, that you would barely know existed from reading Computer Gaming World and the like.
• Interactive fiction. I never intended to stop writing about text adventures; it’s just that I haven’t had quite enough to say about them in the last few years to make a good article. Now, however, we’ve come to the year of Anchorhead, Spider and Web, and Photopia. In terms of seminal works, 1998 is arguably the interactive fiction community’s biggest single year of all.
• Half-Life.
• The first two Oddworld games, which I think are best discussed as a unit.
• Railroad Tycoon II. (My lord, have I gotten addicted to this game…)
• Fallout 1 and 2. Again, I think this pair can be most profitably discussed together. And waiting until this point lets me better tie them into the CRPG Renaissance that was cemented by Baldur’s Gate.
• The downfall of TSR and its purchase by Wizards of the Coast. Another long-running story that deserves a proper conclusion, even if it is more computer-game adjacent than specific.
• The aforementioned Baldur’s Gate.
• Speaking of conclusions to long-running stories: the strange and rather anticlimactic end of Ken and Roberta Williams’s Sierra, including coverage of King’s Quest: Mask of Eternity and Quest for Glory V.
• Boulder Dash and its successors. Yes, you read that right. I spent a lot of time with Boulder Dash as a kid on my Commodore 64, and I think it deserves an article, however belated. I don’t know why I didn’t write one back in the day, but better late than never. I already circled back to pick up Lode Runner…
• Thief.

And now to explain why a couple of topics are not on this list. I plan to discuss the two Freespace games as a unit later. And I haven’t forgotten Her Interactive and Nancy Drew; I’m just waiting for the right place to tell that story. I’d like to end it on a triumphant note, and the first Nancy Drew game is still a little rough around the edges.

I know that there’s a (small) minority of you who would like to see more coverage of Voyager Interactive. I’m afraid I just haven’t found the later discs as compelling as I did the early ones, so I think I’m going to table that topic. I’m sorry!

Of course, I’m always eager to read your thoughts on what you find most (and, if you like, least) appealing from the list above and what other topics you’d like to see covered. I can’t promise to follow up on all of your suggestions — I have to be guided as well by the kinds of games I most enjoy, by what I find most interesting in general, and simply by what I think would yield a readable article — but many of them have led me in the past to subjects I never would have thought to write about on my own. (In fact, a couple of these can be seen on the list above…)

If you’re a regular reader and you haven’t yet become a supporter, please do give it some thought if your financial circumstances permit. I depend on all of you to keep writing and to keep this site ad-free.

Most of all, though, thank you for being the best readers in the world! I’ll have a proper new article for you next week, and the 1997 ebook should be coming along in the relatively near future.

Did you enjoy this article? If so, please think about pitching in to help me make many more like it. You can pledge any amount you like.

This new month of September being a five-Friday month, I’ve decided to take this week as an opportunity to bank an article. That way, I’ll be able to travel back to the United States for the holidays later on this year without missing two weeks of content in a row across my two sites. In lieu of a proper article — which you’ll get next week, I promise — how about if we pause today to take a breath and survey the territory behind and ahead of us?

As the more studious readers among you may already have noticed, we finally moved out of the borderlands between 1996 and 1997 and into the new year proper with my last article. That means it’s ebook time. You can find the 1996 volume of the ever-growing Digital Antiquarian archive, in .epub or .mobi editions and with or without reader comments included, in the usual place. I learned how to make these myself this time, but the tools I used to do so are still those of Richard Lindner. Thanks, Richard! I shouldn’t have to bother you so much going forward…

And speaking of going forward: here’s a taster of what I have tentatively planned in terms of 1997 coverage. Looking at the year as a whole, I must admit that I don’t quite see one bursting with perfectly formed classics. But I do, on the other hand, see a year of important experiments that laid the groundwork for classics to come, as designers continued to wrestle the many new technological affordances they had been granted recently into natural-feeling, playable forms. The flood of undeniable classics would come in 1998, so stay tuned.

In the meantime, some quick notes on what’s in store for the immediate future. Needless to say, if you want to be completely surprised by what appears on this site every fortnight, now is the time to stop reading!

• I’m currently working on a two-parter about the Magic: The Gathering phenomenon, the first part being about the card game that upended the whole tabletop-gaming industry in the 1990s, the second about its digital adaptation, Sid Meier’s last game for MicroProse.
• The Last Express
• This topic is a little more unsettled than most of them, but I’d like to do something with sex. No, not in my personal life — I’m too old and too married for that — but in the context of the digital world of the 1990s. I have a minimalist and a maximalist version in mind. The former would look at games like Voyeur I and II, Psychic Detective, Phantasmagoria: A Puzzle of Flesh, Blue Heat, and Tender Loving Care, which attempted to carve out a market for “adult” computer entertainment within the interactive-movie space. The latter would survey these games as well, but expand the story to encompass the emergence of an online pornography industry, the first folks to make real money on the Web. I lean toward going for the Full Monty, so to speak, but I’d love to hear your secret thoughts and innermost desires. Or, um, come to think of it, just the surface ones would be fine.
• Japanese CRPGs, leading up to and then showcasing Final Fantasy VII. This is foreign territory for me in more ways than one, but the story of how this hugely popular strand of gaming emerged out of the Apple II Wizardry strikes me as under-told, while Final Fantasy VII itself is without a doubt one of the most beloved games of all time. It even fulfills the letter of my law of focusing on computer rather than console games here, since it did get a release on Windows…
• Ultima Online
• Age of Empires
• Broken Sword: The Smoking Mirror
• Developments in the realm of the first-person shooter, especially Unreal and Jedi Knight. (I’ve already had a lot of fun playing Jedi Knight start to finish, a first for me with the genre whilst writing these histories. Maybe I can stop worrying and learn to love to run and gun…)
• Fallout
• Riven
• Blade Runner
• The Curse of Monkey Island
• Zork: Nemesis and Zork: Grand Inquisitor

Feel free to chime in in the comments with suggestions of what you’d like to see. While I can’t promise to deliver on every request — I do have to follow my own muse to some extent in order to give you good articles, and I do have to keep moving so that our progress through history doesn’t start to take even longer than living through the real events did — I do take them all seriously.

And if you’re a regular reader who hasn’t yet taken the Patreon plunge, please do give that some thought as well if your personal finances are up to it. Your pledges are the only reason I can do this.

Last but by no means least, there is one thing that I can’t say enough to those of you who already pitch in: Thank you for your support! That includes not only existing patrons but all of you who take the time to offer up typo reports, factual corrections, and alternative perspectives in the comments and in emails. I remain as honored today that you consider me worth the effort as I was when all of this began twelve years ago. You remain, as ever, the best readers in the world.

See you next week!

I’m afraid I don’t have a regular article for you this week. By way of compensation, I do have a new ebook for you, compiling all of the articles from our recently concluded historical year of 1995, along with the special “Web Around the World” series about the birth of worldwide communications networks and (eventually!) the Internet. Because some of you have requested it, Richard Lindner and I have also prepared a special ebook volume that includes only the latter series. If you enjoy these ebooks, don’t hesitate to drop Richard a line at the email address on their frontispieces to thank him for his efforts.

We’re a couple of articles into 1996 already; I’ve covered Toonstruck and the first Broken Sword game. In keeping with a developing Digital Antiquarian tradition, let me tell you what else I have planned for the year as a whole:

• The Discworld and Discworld II adventures, preceded by a short digression about Terry Pratchett and his literary Discworld universe in general, which has intersected with games on multiple occasions. (As many of you doubtless know, Terry Pratchett himself was a dedicated gamer, and his daughter Rhianna Pratchett has become a notable games journalist and designer in her own right.)
• The second (and, sadly, last) Lost Files of Sherlock Holmes game, which plunges you even deeper into Victoriana than does its predecessor.
• Rama and The Martian Chronicles, which are by no means great games. Nevertheless, they are on one level fairly typical exemplars of the Myst variants that were everywhere in the mid-1990s, and make for worthy objects of inquiry on that basis alone. And on another level, I think it will be interesting, constructive, and maybe even a bit nostalgic to compare them with earlier adaptations of Arthur C. Clarke and Ray Bradbury, from the first era of bookware. (The Martian Chronicles was even created by Byron Preiss Productions, the same folks behind the old Telarium bookware line.)
• Titanic: Adventure Out of Time, the penultimate million-selling adventure of the 1990s, a case study in being in the right place at the right time — said time being in this case very close to the release date of a certain blockbuster movie starring Leonardo DiCaprio and Kate Winslet.
• The Pandora Directive. Enough said. Tex Murphy needs no justification.
• Spycraft, an interactive spy movie by Activision, one of the more elaborate multimedia productions of its day, which courted controversy by letting you torture prisoners while playing the role of a CIA agent. Almost a decade later, the revelations about Guantánamo Bay would give this scene an uncomfortable aura of verisimilitude.
• Star Control 3, Legend Entertainment’s much-maligned sequel to a much-beloved game.
• Wing Commander IV. If anyone was wondering why Toonstruck‘s $8 million budget made it only the second most expensive computer game ever as of 1996, this article will provide the answer.
• Battlecruiser 3000 AD. Because sometimes you just need a good laugh, and this story is like an Onion satire of the games industry come to life.
• Terra Nova, Looking Glass’s next, somewhat less successful but nevertheless innovative experiment with immersive, emergent 3D world-building after the seminal System Shock.
• Civilization II, Master of Orion II, and Heroes of Might and Magic II. I lump these three games together here because they are all strategy sequels — a thought-provoking concept in itself, in that they are iterations on gameplay rather than the next chapters of ongoing stories. They will, however, each get an article of their own as part of a mini-series.
• The post-DOOM generation of first-person shooters, up to Quake and the advent of hardware-accelerated 3D graphics. I know some of you have been itching for more coverage of these topics, to which I can only plead that they just aren’t my favorite sorts of games; chalk me up as too old, too slow, too pacifistic, and/or too bookish. This means I’m really not the best person to cover most first-person shooters in great individual depth. But I’ll try to do a group of them some sort of historical justice here, and spend some time on the software and hardware technology behind them as well, which I must confess to finding more interesting in some ways than the actual games.
• Tomb Raider. Lara Croft has become arguably the most famous videogame character in the world in the years since her debut in 1996, as well as a lightning rod for discussion and controversy. Is she a sadly typical example of the objectification of women for the male-gamer gaze, or a rarer example of a capable, empowered female protagonist in a game? Or is she perhaps a little of both? We shall investigate.
• Her Interactive. The story of the earliest games of Her Interactive, who would later carve out a permanent niche for themselves making Nancy Drew adventure games, is another fascinating and slightly bizarre tale, about attempting to sell games to teenage girls through partnerships with trendy fashion labels, with plots that might have been lifted from Beverly Hills 90210, in boxes stuffed with goodies that were like girlie versions of the Infocom gray boxes of yore. Do the games stay on the right side of the line between respectful outreach and pandering condescension? Again, we shall investigate.
• Windows 95. The biggest topic for the year, this will serve as a continuation of not one but two earlier series: “Doing Windows” and the recently concluded “A Web Around the World.” Windows 95 was anything but just another Microsoft operating system, reflecting as it did its maker’s terror about a World Wide Web filled with increasingly “active” content that might eventually make traditional operating systems — and thus Microsoft themselves — irrelevant. And Windows 95 also introduced a little something called DirectX, which finally provided game developers with a runtime environment that was comprehensively better than bare-bones MS-DOS. But why, you may be asking, am I including Windows 95 in the coverage for 1996? Simply because it shipped very late in its titular year, and it took a while for its full impact to be felt.

To answer another question that will doubtless come up after reading the preceding: no, I’m not going to skip over Blizzard Entertainment’s Diablo, one of the most popular games of the decade. I’ve just decided to push it into 1997, given that it appears not to have reached store shelves in most places until just after the new year. And I’ll make time for a round-up of real-time-strategy games, from Blizzard and others, before covering Diablo.

As always, none of this is set in stone. Feel free to make your case in the comments for anything I’ve neglected that you think would make a worthy topic for an article, or just to register your voice as a conscientious objector in the case of the games I won’t be able to get around to.

And if what’s coming up seems exciting to you and you haven’t yet signed up to support this project, please do think about doing so. Of course, I realize all too well that much in the world is uncertain right now and many of us feel ourselves to be on shaky ground, not least when it comes to our finances. By all means, take care of yourself and yours first. But if you have a little something left over after doing so and want to ensure that my voluminous archives continue to grow, anything you can spare would be immensely appreciated. See the links at the top right of this page!

And thank you — a million times thank you — to all of you who have already become Patreon patrons or made one-time or recurring PayPal donations. Your pledges and donations are the best validation a writer could have, in addition to being the only reason I’m able to keep on doing this. It’s been quite a ride already, and yet we have a long, long way still to go. See you next week for a proper article!

No new article this week, folks. Sorry about that! It’s the usual story of a five-Friday month and a chance for me to catch my breath. I’ll have one for you next week.

In lieu of a proper article, some administrative announcements, plus a taster of what will be coming down the pipe in the months to come:

The especially attentive among you have doubtless noticed that we crossed the border into 1995 with my last piece. That means a new slate of ebooks for 1994, the year just finished. As always, their existence is thanks to Richard Lindner. In fact, he’s been extra busy this time: we’ve also put together an ebook gathering all of the Infocom articles, something a number of you have asked me for from time to time. It begins with Will Crowther and Don Woods’s Adventure, that necessary prelude to the Infocom story, and continues all the way through my relatively recent series on the resurrection of the Z-Machine and Graham Nelson’s creation of the Inform programming language for making new games in the Infocom spirit; that seemed to me an appropriately hopeful note to end on. You’ll find Richard Lindner’s email address inside all of the ebooks. If you enjoy them, please think about dropping him a line to thank him.

In other news, I did one of my rare podcast interviews a few weeks ago, with the nice folks from The Video Game History Foundation. The subject was the game-content controversy of the early 1990s and the three enduring institutions that came out of it: the Interactive Digital Software Association (now known as the Entertainment Software Association), the Entertainment Software Ratings Board, and the E3 trade show. I’m definitely a better writer than I am an on-air personality, but perhaps some of you will enjoy it nevertheless.

The coverage to come in the immediate future will be quite graphic-adventure-heavy, as we’re now getting into the genre’s last big boom. Rest assured that I haven’t given up on other genres; they’re just in a slight lull.

• My next article will deal with The Dig, LucasArts’s second adventure game of 1995 — and what a tortured tale that one is!
• Then we’ll move on to a very eventful and profitable era at Sierra, with special coverage reserved for the second Gabriel Knight game.
• This was the year when the Interactive Fiction Renaissance really took flight, with the very first IF Competition and a downright stunning number of other big, rich games released. If you’re an old-school Infocom fan who hasn’t yet tried these games, you might just find yourself in heaven if you give them a chance, as they’re very much in the Infocom spirit, and written and implemented every bit as well.
• We’ll continue to follow the story of Legend Entertainment in some detail, looking at both of their 1995 releases.
• We’ll find time for The Dark Eye and I Have No Mouth and I Must Scream, a couple of moody, artsy adventure games with some very interesting personalities behind them.
• We’ll look at some more attempts to bring full-motion-video interactive movies to the masses, with unusual and sometimes risque subject matter: titles like Voyeur and In the First Degree.
• We’ll dive into the short and rather disappointing history of Boffo Games, a partnership between Steve Meretzky and Mike Dornbrook that brought us Meretzky’s final adventure game.
• We’ll backtrack a bit to cover the story of New World Computing and the Might and Magic CRPG franchise, which will set the stage for the frightfully addictive strategy game Heroes of Might and Magic.
• We’ll examine McKenzie & Co., a noble if somewhat confused attempt by a new studio called Her Interactive to make an adventure game that “girls will love!”
• The big non-gaming story waiting in the wings is that of the World Wide Web, which began breaking into the public consciousness in a big way during 1995. I’ll try to do it justice via a multi-part series that will be slotted into all of the above… somewhere.

If you have a favorite game from 1995 that isn’t listed above, don’t panic. I always shuffle things around a bit for the sake of storytelling. I promise, for example, that Blizzard Entertainment will get their due a little later, as will the debut of Microsoft Windows 95, a truly momentous event in the history of both computer gaming and consumer computing as a whole. Of course, I’m always interested in hearing your suggestions of topics you think would be interesting, although I can’t guarantee that I’ll act on all of them. (Those I decline to pursue are generally the ones which I just don’t feel I have the requisite background and/or level of passion to turn into good articles. Believe me, it’s not you, it’s me.) And if you have a line on a valuable historical source — or if you happen to be one yourself — I’m always eager to hear from you.

And now for my obligatory annual fund-raising pitch: if you like what I do here and haven’t yet signed up to become a Patreon supporter, please think about doing so (assuming of course that your personal finances allow it). Your support will help ensure that this project can keep going for a long time to come. The same naturally goes for The Analog Antiquarian, this site’s alternate-week counterpart. (We’re nearing the end of the Alexandria story there, and will soon be making a brief sojourn in Rhodes before tackling the long arc of China’s history.)

Thanks so much for reading and helping out in all the different ways you do. See you next week!